The Big Picture
The Emancipation Of Defeat
07/10/17 09:05
We finished.
It’s hard to believe we’re here, spent and chugging air, awaiting the judges’ decision. This film was a relationship, with all the ups, downs, hopes, love, dashed dreams, and arguments that are inextricable. There were pinnacles that left us high as a kite and feeling unstoppable with optimism and nadirs that felt like the third ring of Hell.
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It’s hard to believe we’re here, spent and chugging air, awaiting the judges’ decision. This film was a relationship, with all the ups, downs, hopes, love, dashed dreams, and arguments that are inextricable. There were pinnacles that left us high as a kite and feeling unstoppable with optimism and nadirs that felt like the third ring of Hell.
Read More…
Ex Animo
22/04/17 13:28
I started the Twitter feed for this movie the day Pedro and I shook hands over hamburgers and vowed to make a movie. I registered the account that evening and dutifully began memorializing the process of making “Clocking The T” with this tweet:
   
So, why this blog?
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So, why this blog?
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Two Drops From Dry
17/10/16 22:15
In the inexorable rush of western civilization to dynamite itself, the United Kingdom voted out of EU membership today. The thing is, we actually financed “Clocking The T” from my international savings account in Britain.
*gulp*
How does a European political debacle have anything to do with a Los Angeles based micro-budget passion project? To make sense I need to back up a little.
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*gulp*
How does a European political debacle have anything to do with a Los Angeles based micro-budget passion project? To make sense I need to back up a little.
Read More…
Rings Of A Tree
05/10/16 08:19
At the tail end of the summer of ’95 I went to a BBQ of a friend of a friend’s place in Burbank. There I met a crew member who’d worked in a key position on “The Usual Suspects, ” which had just come out in theaters six weeks earlier to much acclaim. Enthusiastically I asked what that experience had been like and they began to dump a bucket of vitriol all over the movie, and in particular, the director, Bryan Singer. They told me he was a clown, a fool, both clueless and nitpicking. He didn’t know how to run a set, direct actors, or how even pronounce ‘Keyser Sozes'’ name correctly. They said it was a miracle the film got made. There was more but it’s irrelevant. Because here’s the thing:
It’s obvious to anyone who saw “The Usual Suspects” that summer that Bryan Singer knew what he was doing.
In fact, anyone who has ever seen “The Usual Suspects” knows immediately that Bryan Singer is a world class director.
So… WTF, right?
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It’s obvious to anyone who saw “The Usual Suspects” that summer that Bryan Singer knew what he was doing.
In fact, anyone who has ever seen “The Usual Suspects” knows immediately that Bryan Singer is a world class director.
So… WTF, right?
Read More…